Zz top jesus just left chicago9/5/2023 The only international single released from the album in most countries was " La Grange" (backed with "Just Got Paid" from the band's second album Rio Grande Mud), which peaked at number 41 on the Billboard Hot 100 in June 1974. In addition to the standard 2-channel stereo version, a four-channel quadraphonic version was also released in 1973 in the Quad 8 8-track tape and Q4 reel-to-reel formats. Subsequent releases on digital platforms such as iTunes have used the original mix as well. The 2006 edition is the first CD version to use Manning's original 1973 mix. A remastered and expanded edition of the album was released on February 28, 2006, which contains three bonus live tracks. The remix version was used on all early CD copies and was the only version available for over 20 years. The remix version created controversy among fans because it significantly changed the sound of the instruments, especially drums. Īt the height of ZZ Top's success in the mid-1980s, a digitally remixed version of the recording was released on CD and the original 1973 mix was no longer issued. The success was handwriting on the wall, because from that point we became honorary citizens of Memphis. ![]() The record became quite the turning point for us. We could tell that we had something special. but after several plays, it was obvious (to) everyone that there was no other way they could ever exist again." Release come together as one song, exactly as if played that way." Manning wrote that when he initially presented the edit, Billy Gibbons loved it but the album's producer Bill Ham was confused and wary of it, ". tried several things to see how those two (songs) would go together" when it dawned on him that they could ". counting time, feeling how different time sigs (signatures) go together, different keys, different feels. always looking very carefully at the timings between songs. ![]() Manning admitted that although it was not planned beforehand, as an engineer he was ". The album's engineer Terry Manning, who performed the edit, counter-claimed in a 2017 blog post that it was no accident. Dansby claimed that the album's engineer was splicing tape and cut too much, leaving no gap between the songs. Houston Chronicle entertainment writer Andrew Dansby wrote in 2013 that this fusing of the songs was not the original plan. ![]() The track " Waitin' for the Bus" segues into " Jesus Just Left Chicago" almost seamlessly. ZZ Top's very identity comes from this earthy sound and songs as utterly infectious as "Waitin' for the Bus," "Jesus Just Left Chicago," "Move Me on Down the Line," and the John Lee Hooker boogie "La Grange." In a sense, they kept trying to remake this record from this point on - what is Eliminator if not Tres Hombres with sequencers and synthesizers? - but they never got it better than they did here.Problems playing this file? See media help. They get the blend of bluesy shuffles, gut-bucket rocking, and off-beat humor just right. It has a filthy groove and an infectious feel, thanks to Billy Gibbons' growling guitars and the steady propulsion of Dusty Hill and Frank Beard's rhythm section. On the surface, there's nothing really special about the record, since it's just a driving blues-rock album from a Texas bar band, but that's what's special about it. As their sound gelled, producer Bill Ham discovered how to record the trio so simply that they sound indestructible, and the group brought the best set of songs they'd ever have to the table. ![]() ZZ Top finally got their low-down, cheerfully sleazy blooze-n-boogie right on this, their third album. It couldn't have happened to a better record. Tres Hombres is the record that brought ZZ Top their first Top Ten record, making them stars in the process.
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